Friday, September 18, 2020

Restoration of Law & Order: The War-Cry which may help Trump defeat Joe Biden in November 2020

This article is by

Share this article

Article Contributor(s)

Vanshita Banuana

Article Title

Restoration of Law & Order: The War-Cry which may help Trump defeat Joe Biden in November 2020

Publisher

Global Views 360

Publication Date

September 18, 2020

URL

Donald Trump at a presidential elections rally

Donald Trump at a presidential elections rally | Source: Gage Skidmore via Flickr

At the peak of the “Black Lives Matter” protest in June 2020, against the brutal killing of George Floyd by the police, the US President Donald Trump signed an Executive Order on Safe Policing for Safe Communities. It is now September, and as Black Lives Matter protests— and the police brutality that ignited them— continue amidst a pandemic leaving over two hundred thousand Americans dead and millions infected, Trump’s fear-mongering distortions of events also continues.

The executive order sets requirements for police “certification and credentialing” of law enforcement agencies, and links the credentials to discretionary funding. It bans chokeholds except where deadly force is allowed by law. A database will be created to share information and track incidents of excessive use of force, terminations or de-certifications of officers, criminal convictions for on-duty conduct, and so on. Additionally, the order asks for surveys and community support programs to address mental health, homelessness and addiction in context of law enforcement’s response to them. Lastly, the order proposes that new legislation be developed to increase funding and resources provided to law enforcement.

While announcing the executive order, Trump called for a “restoration of law and order” and more funding for police at a time when Americans are protesting in cities across the country to reduce police funding and presence in order to combat police brutality. He claimed to want to put a stop to “looting and arson,” further remarking that Americans want law and order even if they “may not say it” or may not “even know that’s what they want”. Additionally, he believed the percentage of bad police officers to be very tiny.

The American Civil Liberties Union (ACLU) responded to the announcement, and called Trump’s call for “law and order” a racist dog-whistle specifically intended for his voter base in light of the upcoming election, and reiterated the need for lesser police presence. Allocation of discretionary funds, mentioned in the executive order, has been known to lead to increased militarisation of the police. They observed that Trump used the word “race” once and never used the word “racism,” and that he was surrounded by law enforcement officers throughout the announcement and his prepared remarks.

Use of fear-mongering to shore up the support for electoral benefit is not something new which Trump is employing, but a time-tested tool for many leaders in the Republican Party. The phrase “law and order” has a long cultural history in America, even before its use by politicians was popularised, and therefore racialised (if it wasn’t already).  

President Richard Nixon’s TV ads in the 60s showed middle-aged white women walking nervously down city streets at night. Trump’s false claims of Biden wanting to defund the police are complemented by his recent campaign ad that shows an elderly woman at home alone, who calls the police when a burglar breaks in. However, she is told that the police can no longer serve her due to being defunded. Setting aside the misconceptions about what defunding the police would look like, the ad is clearly designed to create panic at the thought of a fantasised future, one that Trump and his family like to call “Biden’s America” every time they post pictures of present-day Trump’s apocalyptic America.

It is definitely not unlike Trump to use racist rhetoric about crime meant to cause fear. It was one of his biggest selling points in the 2016 election as well, promising a border wall and anti-immigration policy to keep out immigrants— mostly Mexicans— who he claimed would bring crime and drugs into America. This year Trump has revived the argument by acting as the saviour of the suburbs, who he claims are under the attack of calls for desegregation. To that extent, at the 2020 Republic National Convention, Trump invited the McCloskeys, the couple who brandished firearms at Black Lives Matters protestors, to speak about “forced rezoning,” which they alleged would make their suburban neighbourhood unsafe. Nixon’s comments about the “city jungle” threatening the suburbs come to mind.

President Trump’s election campaign flag with Confederate flag | Source: Gilbert Mercier via Flickr

Many would notice that the racism in Trump’s statements is often barely covered up by his abstract and vague choice of words. The message, whether in 2016 or 2020, remains unmistakably the same: he is telling rich and middle class white people— painted as the peaceful victims— that he will protect them from violence caused by the ‘other,’ i.e., poor people of colour.

This fear of the ‘other,’ the angry Black American, is the same fear used by Republican Presidential candidate (and later President) Richard Nixon in 1968. The law-and-order rhetoric that evolved during that election period can be connected to 21st century ‘tough-on-crime’ policies, both of which have heavy racial undertones and are weaponized by Republicans as well as Democrats.

Is Donald Trump the new age Richard Nixon? That might seem to be overstretched, but quite a few traits and  similarities can be drawn between 2020 and 1968, perhaps most of all due to the widespread protests and clashes with police that erupted after the assassination of civil rights champion Martin Luther King Jr. Another major political and cultural event of the time was the Vietnam War, which led to a feeling of disorder that many Americans might be feeling at present as well. Trump is using promises of imposing “law and order” to project a strongman image; the desire to project such an image, however, hypocritically leads Trump to encourage violence where it benefits him.

However, these strategies aren’t as successful as Trump wants them to be— least of all successful enough to cover up his gross mishandling of the COVID-19 pandemic. Additionally, the suburbs have not remained as ‘pure’ as they might seem in Trump’s eyes; they have grown in diversity of wealth and race, almost parallel to cities. Trump is out of his depth when forced to reckon with mass unemployment, preventable deaths, and science, and he would do anything to bring the focus back to his comfort zone, which is why it is unsurprising when he uses Black Lives Matter protests and renewed conversation around policing to spread unfounded alarms about increased crime and violence.

According to recent polling data, while neither Trump nor Biden are viewed favourably by any significant margin when it comes to law enforcement, Biden is surely being viewed as more trustworthy when it comes to handling a crisis like the pandemic. Trump’s constant barrage of tweets and other announcements are less appreciated or supported when they cause further confusion in an already extremely chaotic environment. It is hard to imagine trusting a President who tweets “when the looting starts, the shooting starts” to remain calm, organised or level-headed in any manner.  

While many may have expected Trump’s voter base to fall for the same old, recycled talking points, the public health crisis and economic meltdown took the conversation away from it. Now President Trump is desperately trying to take control of the narrative and scare voters to back him in November 2020.

There is some method to his apparent madness. The US President is not elected by securing  the majority of the popular vote, they are chosen by securing a majority of votes in the electoral college. There are different modelling of US poll results which predicts that Trump may lose by over five million popular votes but still win the Presidency due to scoring a majority of electoral college votes.

The constant hammering of being the “Law and Order” President and painting Joe Biden’s support for Black Lives Matter protest as the “support for lawlessness” is the only plausible way for Trump to gain a majority of the electoral college vote and retain the US Presidency in November 2020. It is to be seen whether the voters fear the COVID-19 & economic meltdown more than the Law and Order.

Support us to bring the world closer

To keep our content accessible we don't charge anything from our readers and rely on donations to continue working. Your support is critical in keeping Global Views 360 independent and helps us to present a well-rounded world view on different international issues for you. Every contribution, however big or small, is valuable for us to keep on delivering in future as well.

Support Us

Share this article

Read More

February 4, 2021 4:48 PM

Bias and Nostalgia in Hergé’s Tintin

Some of my fondest memories involve sitting under the guava or the European gumtree, perched on the wall of our garden as the sunlight dappled on an old copy of a Tintin comic. For some years, at least, before the gumtree was cut down, the leaves bore witness to me following the globe-trotting adventures of the Belgian reporter, replete with hilariously-named companions and witty play of words. My nostalgia is as much for the inked characters and words on the paper, as for the musty smell of the oft-thumbed and yellowed pages of the comic, and the permanently romanticized view of the sunny garden. The comics have left a palpable imprint on my sense of humour and love of a certain kind of literature. And perhaps it is this imprint, along with my pleasant nostalgia, that makes it a struggling task to accept Hergé’s racism through his Tintin comics.

Hergé’s (or Georges Prosper Remi’s) writings were, undeniably, a product of their times. His first two series in the Adventures of Tintin comics, Tintin in the land of the Soviets (1929) and Tintin in Congo (1931), have famously been the subject of much debate, since the late 1900s. In Soviets, Hergé offers a crude critique against Marxism – meant to inculcate anti- Soviet sentiments in the European youth at the time, by portraying the Bolsheviks as inherently evil without a full comprehension of how they rose to power or what their political views were.

In Congo, African tribes and leaders are portrayed as either infantile, or in need of saving, to the extent that Tintin becomes the embodiment of fairness for young Africans, even having a temple made after him. Congo itself was a colony of Belgium from 1908 to 1960, one of the two colonies that Belgium governed, and the comics grossly ignore the labour politics of the Congolese and their efforts in both the World Wars. It was not until after the decolonisation of Africa that European perception of ex-African colonies changed.

Much of the modern debate surrounding the banning of select Tintin comics is centred around the depicitons of big-game hunting in Congo and the anti-Semitism in the The Shooting Star. Besides the uncomfortable portrayals of the Congolese, a few panels in the 1931 edition of Congo depicted Tintin drilling a hole into a live Rhinoceros, filled with dynamite, and blown up. In the 1946 edition, this scene was replaced, with Herge apologizing for what he recognized as “youthful transgressions''. In the Shooting Star, the villainous financer was renamed, from the Jewish Blumstein to the innocuous Bohlwinkel.

Hergé’s subsequent works became politically neutral, written after the German occupation of Belgium and the German takeover of Le Vingtième Siècle, the conservative Catholic newspaper he wrote for. While the white-saviour narrative continued with Tintin leading as the embodiment of Europe that “natives” had to follow, the later works are much less politically biased.

However, he prefaced Tintin in America with a critique against the racism in the United States, alongside his anti-imperial stance in The Blue Lotus. He is also known, famously, for not joining with the far-right extremist forces in German-occupied Belgium at the time, as many of his colleagues had. Michael Farr, a British expert on The Adventures of Tintin series, claimed after a meeting with Hergé that “you couldn’t meet someone more open and less racist”. Others have called him an opportunist, heaving towards the side that was popular. Perhaps this was indeed the case, or equally, perhaps Hergé did change his views, and his writings in Soviet and Congo are merely reflective of the predominant Belgian culture at the time.

At any rate, the question still remains: how do we read, or re-read, Hergé (or many such childhood-favourite authors, like Dr. Seuss)? Shelving the books and forgetting the authors is undoubtedly impossible, and misguided besides. A recognition of the biases, and a plethora of context surrounding these texts must be made available at all times. A celebration of a character or a person must not come at the cost of ignoring their uncomfortable stances.

The depiction of Africa in 20th century comics has been abysmal. A tendency of depicting the 'other' as a 'noble-savage' is a familiar concern to those readers who have spent much of their lives in recently liberated colonies. It is, perhaps, especially imperative for such readers to keep this in mind and not repeat them.

In our Consumerist times, it seems, we sometimes forget to start dialogues on themes that are unfamiliar and maybe even uncomfortable to us. We forget which stories desperately need to be told and which have not seen the light of day under the shadow of popular literature.

This, at least, is what I have strived to do: to maintain a balance between nostalgia and a recognition of biases. My memory of the Tintin comics will remain just as romantic as the idyllic memory I started with in the beginning of this article.

Read More