Tuesday, July 21, 2020

How the People Power brought down a Dictator in Sudan

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Aditi Mohta

Article Title

How the People Power brought down a Dictator in Sudan

Publisher

Global Views 360

Publication Date

July 21, 2020

URL

Omar Hassan Ahmad al-Bashir, former President of Sudan

Omar Hassan Ahmad al-Bashir, former President of Sudan | Source: DefenseImagery.mil via Wikimedia

Africa has witnessed many transformative events in the past decade. Among these, a people-led movement in Sudan that has overthrown a dictator in 2019 will undoubtedly take the cake.

The country has been under the ironclad rule of General Omar al-Bashir for over 30 years. The regime which came in power after a military coup in 1989, used strong arm tactics to control a nation of the diverse group of people. Furthermore, the 30 years long repressive military rule had overpowered every institution that promoted the cause of human rights. It also empowered the conservative Islamic leadership that had put harsh restrictions on women.

The regime of Omar al-Bashir was fiercely opposed by the Western countries while Saudi Arabia and the United Arab Emirates were its heavyweight backers. It had to grapple with people led movements throughout its existence which also included a full blown insurgency movement in Darfur region. However it was able to put down any challenge through brutal force.  

The people's movement to overthrow General Omar al-Bashir started in December of 2018 had such inclusiveness which was not witnessed in the earlier movements. It was powered by all the classes and ethnicities in posh as well as the poorest of neighbourhoods. Some adrenaline-fuelled women leaders encouraged other women to participate in the protests which not only increased the diversity of the people fighting for the nation but also helped to keep the movement non-violent. It also had the youth power which was yearning for a better future for them and their country.

The mobilization of millions of citizens on the streets forced the government to block the internet throughout the country for weeks. With online communication difficult to make, the protestors started using old ways to mobilise, such as megaphones, graffiti all over the streets and crowd-pulling events like a community service day. This included clearing trash areas in clothing that promoted their movement saying: ‘We will build what we are dreaming of.’

The protesters demanding civilian rule were met by violence which caused death and injury, many of which were caused by gunshot wounds. However people didn't relent and continued to protest. Huge protests were organised to correspond with the 30th anniversary of the coup that helped bring Bashir to power.  The nation was ready to make people’s revolution happen and was ready to pay the cost.

After the relentless protest, General Omer Al Bashir, who ruled with the backing of the military, was finally overthrown by the military in April 2019. However the people were not ready to accept another military ruler  to replace the earlier one. So the people's movement continued till the military leadership relented to disband the Transitional Military Council and in its place an eleven-member Sovereign Council was constituted in November 2019.

The Sovereign Council, made up of the  six civilians and five military representatives, is mandated to rule Sudan and conduct a free & fair election in the next three years. Amongst the civilian council members nominated by the protest movement, there is a woman and a journalist. This in itself is a great step forward for the long oppressed citizens of Sudan.

Reference links -

https://theconversation.com/how-the-people-of-sudan-pulled-off-an-improbable-revolution-132808

https://www.npr.org/2019/07/01/737638806/pro-democracy-protests-fill-streets-in-sudan-calling-for-civilian-control

https://www.aljazeera.com/news/2019/08/sudan-forms-11-member-sovereign-council-headed-al-burhan-190820204821614.html

https://www.bbc.com/news/world-africa-50835344

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February 4, 2021 5:05 PM

Art as a tool of Palestinian Resistance

The Israel-Palestine conflict is one that has been fraught with violence and displacement, more so for the Palestinians. This is a complicated history of war and disagreement over the possible solutions. However in recent years, the actions of Israel’s right-wing coalition government under Prime Minister Benjamin Netanyahu are making the path to peace even more difficult.

Many artists, especially those of Palestinian origin, across the creative mediums, have turned to art as a medium of expression against the Israeli government’s repressive policies and to show the suffering of the Palestinian people.

Graffiti of  Marouane Barghouti, imprisoned Palestinian activist | Source: thierry ehrmann via Flickr

The heroes of Palestinian resistance against the Israeli occupation are a popular subject of resistance art by Palestinian artists. It is mainly expressed in the form of murals, graffities, and posters.

Another important theme in Palestinian art surrounds the Nakba, which refers to the exodus of a large number of Palestinians after the formation of the state of Israel.

Palestinian refugees leaving the Galilee in October–November 1948 | Source:  Fred Csasznik via Wikimedia

A popular street artist Banksy has left his unique mark in support of Palestinian resistance, and not just in the form of street art which lines the Israeli West Bank barrier and other areas of the West Bank.

Street Art by Banksy | Source: Dan Meyers via Unsplash

Banksy also opened the Walled Off Hotel in 2014 where all the rooms overlook the barrier or apartheid wall, as it is known in Palestine, and each contains various artworks depicting life under occupation.

The most recent contribution from Banksy in this regard has been a small art piece that was displayed inside the hotel last Christmas, called ‘The Scar of Bethlehem.’ It depicts a nativity scene (the birth of Jesus) set to the backdrop of the concrete barrier, with a bullet hole in it resembling a star and has garnered praise from many western news outlets as a symbol of solidarity with Palestinian suffering.

Posters, and innovative methods of distributing the same, are another form of artistic protest. These range from the posters by various artists published in a leftist French newspaper, meant to be cut out and pasted on walls by the public; to the Turkish graphic design professors using public walkways to exhibit posters in solidarity with Gaza.

A card marking the tenth anniversary of the launching of the Palestinian revolution in 1965 | Source: Nawal Abboud via The Palestinian Poster Archives

Posters have also sprung up in various places across the world, including Israel, calling for active demonstrations against Israel’s plans to annex the West Bank. All of the mentioned posters continue to be collected in the digital archives of the Palestine Poster Project.

Another popular collection dates back to 1970s Australia, circulated by Ali Kazak, a Palestinian ambassador, called “landscape posters” for their focus on Palestinian land. Many posters utilised symbols such as traditional Palestinian dresses, fruits such as olives and oranges, and keys, which refer to the refugees.

Some of the older art from around the 1970s focused on pre-war Palestinian life and culture, while the newer art takes a multi-media form through photographs, science fiction and films. Similarly, many murals can be found surrounding Land Day, which serves as a reminder of a massacre in 1976 in response to a protest.

Artistic symbolism also often uses the concept of Sumud, which means resilience in Arabic, and is used to refer to a “sense of rootedness” to Palestinian land.

Music also found its voice as a form of self-expression and resistance. In 2018, music platform Boiler Room hosted Boiler Room Palestine for the first time. The show featured a diversity of Palestinian artists from Palestinian and Israeli territories. The crew for the show had to enter Palestine through Israel, giving them a small taste of the limitation of movement for Palestinians.

Palestinian art continues to grow as a form of self-expression, as a form of resistance to Israeli policies, and as forms of cultural history in an endeavour to keep Palestinian spirits and identity alive as their lives get shrunk into smaller and smaller pieces of land.

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