Sunday, July 19, 2020

Has Hollywood finally decided to fight “Reel Life Racism”

This article is by

Share this article

Article Contributor(s)

Syed Ahmed Uzair

Article Title

Has Hollywood finally decided to fight “Reel Life Racism”

Publisher

Global Views 360

Publication Date

July 19, 2020

URL

Al Jolson in Warner Bros. publicity photo for the film The Jazz Singer (1927)

Al Jolson in Warner Bros. publicity photo for the film The Jazz Singer (1927) | Source: Wikimedia

Back in the 1960s, when the Civil Rights Movement was slowly gaining momentum in the United States, broadcasting services were employed to gather support for the movement. Images of various kinds of atrocities and violence being rendered to nonviolent Black demonstrators were broadcasted into American houses to raise awareness about the movement.

However, the response of Hollywood so far can be explained in a single word- tragic! Hollywood as a major media and content producer has massively shaped the American culture. However it has not much to show as a positive influence on race issues.

A classic 1940’s musical movie, Holiday Inn had the famous song in which White stars performed in blackface. In a 1980s hit, “Indiana Jones and the Temple of Doom” the Indians are depicted as barbaric and uncivilised. The list of such racial stereotypes is huge to be reproduced here.

Legendary Hollywood actor John Wayne made highly offensive comments in a playboy interview. His exact words are, “I believe in white supremacy until the Blacks are educated to a point of responsibility. I don't believe in giving authority and positions of leadership and judgment to irresponsible people.” He further goes on to make a series of comments, that ideally should not be coming from someone with so much influence in Hollywood.

Many legendary actors and industry icons too have struggled due to racism in Hollywood. Bruce Lee is a fine example of a person who fought against racism in the industry and refused to be cast in many roles that portrayed Chinese people in a negative light. He ultimately moved back to Hong Kong, partly due to the lack of appropriate roles. Actress Lucy Liu has also spoken about how she was too naïve to understand back in the early days as to why her friend would get multiple auditions every day, while she managed two or three in a month.

In 2015, there was a massive uproar regarding the Oscar winners after the academy awarded all 20 nominations to white actors. It quickly gained momentum with the hashtag #OscarsSoWhite becoming a global trend. Before #OscarsSoWhite, no one would have bothered to notice that 86% of top films predominantly featured white actors.

As per a Washington Post survey, film directors who ranked as the most influential decision-makers at Hollywood were predominantly whites. Hollywood might stress for newer reforms against racism on the big screen but that is not the reality at all. To put things into perspective, the Hollywood academy has never revealed information about the diversity of its members involved in the branches of the academy, such as writers, directors, etc.

The response of Hollywood movers and shakers was always akin to a tokenism, a call to push for producing more content involving black writers, producers, and actors.

George Floyd’s death was just the trigger it needed to burst out in the open the pent up anger over the centuries of discrimination, oppression, and systematic injustice meted out to black people. The way black people are portrayed in reel life directly impacts society’s attitude towards them in real life.

People started demanding that Hollywood production companies and studios should involve the people from the community in the decision-making process when the movie plot is based considerably on the members of those communities. They have also demanded that older movies depicting racially insensitive narratives should be taken out of circulation.

Disney, one of the most reputed names in Hollywood, chose to remove the movie “Song of the South” from US distribution, when the criticism for the movie grew, even though it remains available for those who know where to look. They have also announced the plan to revamp the famous Splash Mountain ride at Disneyland and Disney World to include the character of Princess Tiana- Disney’s first African American princess from the movie The Princess and the Frog.

UK TV broadcaster Sky has added a disclaimer to approximately a dozen films stating, “This film has outdated attitudes, language and cultural depictions which may cause offence today."

HBO max recently pulled the iconic film, Gone with the wind because of its controversial depiction of black stereotypes. It returned with a four and a half minute introductory video by black scholar Jaqueline Stewart for a better understanding about racism.

Ever since the resurfacing of the playboy interview of John Wayne, students and alumni at USC have been protesting against Wayne’s exhibit at the campus. However, USC has finally decided to remove the exhibit.

All these reforms are a direct result of the audience being more and more aware of racism and prejudice. However, it is Hollywood’s turn to step up and push for bigger reforms. While it would be a challenging and bold endeavor, Hollywood’s global influence makes it imperative for the industry to undergo much-needed reforms.

Support us to bring the world closer

To keep our content accessible we don't charge anything from our readers and rely on donations to continue working. Your support is critical in keeping Global Views 360 independent and helps us to present a well-rounded world view on different international issues for you. Every contribution, however big or small, is valuable for us to keep on delivering in future as well.

Support Us

Share this article

Read More

February 25, 2021 12:44 PM

Constructing Panopticon: Israeli Surveillance Technology and its Implications for the Palestinians

Jeremy Bentham, an English philosopher and social theorist designed ‘Panopticon’ in the late 18th century. The panopticon is an institutional building which Bentham describes as “a new mode of obtaining power of mind over mind in a quantity hitherto without example”. The structure's central observation tower, placed within a circle of prison cells, allows a watchman to monitor the inmates of the building without the dwellers knowing whether or not they are being watched. Although it is physically impossible for a single watchman to observe all the occupants at once, the fact that the inmates cannot know when they are being watched means that they are motivated to act as though they are being watched at all times. Thus, compelling the inmates to regulate their own behaviour.

Michel Foucoault, a French Philosopher, uses panopticon as a metaphor to explore relations between systems of social control and people in a disciplinary situation. For Foucault, the real danger was not that the individuals are repressed by the social order but the fact that when only certain people or groups of people control knowledge, oppression is a possibility. Contemporary society uses technology for the deployment of panoptic structures ‘invisibly’ throughout society.

This article gives an overview of the massive panopticon that is built and operated by Israel in Occupied Palestine.

Israel’s unaccountable military rule over its Palestinian citizens in east Jeruselum, West Bank and Gaza Strip have kept the Palestinians under constant surveillance and control. As per a report by Amitai Ziv on Haaretz, Israel’s surveillance operation against Palestinians is (as of 2019) “among the largest of its kind in the world. It includes monitoring the media, social media and the population as a whole.”

Among various mechanisms of surveillance, the technological mechanisms of surveillance and control deployed or proposed in the region of Gaza Strip is most empowering to Israel in terms of gathering ‘intelligence’. This includes use of biometric identity cards, Israeli access to Palestinian census data, almost complete access to and control of the telecommunication infrastructure in the Gaza Strip, the ability to track individuals via cell phone, large surveillance zeppelins which monitor the entire electromagnetic spectrum and which can usurp control of these from Palestinian operators (for instance sending text messages to subscribers targeting different demographics) as well as optical surveillance, facial recognition technology, remote controlled and robotic machine gun towers guarding the border that are capable of identifying a target and opening fire automatically—without human intervention.

In the context of occupation, the use of biometric ID cards of Israeli citizens is the sharpest seepage of control technologies.  For a long time, Israel has used a system of differentiated ID cards to distinguish between Jewish and Non-Jewish, citizens and residents of Israel, and citizens and residents of the occupied territories.

These ID cards also have a record of ethnic/religious affiliation of the person, and the ID numbers themselves are coded so as to reflect this information. One’s status of whether they are an Israeli or Palestinian, whether they are a citizen or a resident determines their freedom to travel, their ability to find jobs, and even their ability to get married and avail social benefits.  The Palestinians in East Jerusalem—which was annexed after the 1967 war—are considered as “conditional residents” and not citizens. According to a Human Rights Watch report, a resident of Palestine occupied Israel reported that the Israeli authorities refused to issue birth certificates to his five children, all born in Jerusalem. Other Jerusalem residents without residency status, in their testimonials, described being unable to legally work; obtain social welfare benefits; attend weddings and funerals; or visit gravely ill relatives abroad, for fear Israeli authorities would refuse to allow them to return home.

Another significant technological mechanism is the Facial recognition technology which has found its way into use by Israeli police. Facial recognition system, a globally controversial and scientifically flawed system is being used by the police force in Israel to identify protestors and is also implemented at airports and border crossings.

Israel has also ratcheted its social media surveillance, especially Facebook, Palestinians’ preferred platform. In October 2015, Israeli invasion at the Al-Aqsa Mosque angered several Palestinians. Many teenagers who didn’t belong to military wing or the Palestinian political faction orchestrated the attacks. The Israeli government blamed the social media for instigating the attacks and the military intelligence increased the monitoring of Palestinian social media accounts. Consequently, over 800 Palestinians were arrested for their posts on social media, particularly Facebook. It was later revealed that these arrests were a result of a policing system which uses algorithms to build profiles of supposed Palestinian attackers. This system proctors thousands of Palestinian Facebook accounts sifting for words like shaheed (martyr), Zionist state, Al Quds (Jerusalem), or Al Aqsa. Further, the algorithm identifies a “suspect” based on ‘prediction’ of violence. These targets are marked suspicious and are a potential target for arrest on the grounds of “incitement to violence”. The term incitement refers to all types of resistance to Israeli practices. The Israeli Army declared Military order 1651 in 2010, according to which, anyone who “attempts, orally or otherwise, to influence public opinion in the West Bank area in a manner which may harm public peace or public order” or “publishes words of praise, sympathy or support for a hostile organization, its actions or objectives,” will serve a jail time of 10 years. The order defines this as “incitement”. One notable instance has been the poetry of Dareen Tatour. She is a Palestinian citizen of Israel. She expressed her call to “resist” the occupiers through a poem she posted online in October 2015. The video had less than 300 views. But it resulted in nearly three years of house arrest and five months imprisonment. The Israeli government charged Tatour with inciting violence and terrorism while her poem was a call for a non-violent resistance. This incident is a classic demonstration of how Israel uses vague terminology to criminalize online activity when it serves its discriminatory interests.  

Israel’s military industrial complex is a profound enabler of the digital surveillance of Palestinians. The nation not only implements surveillance and control but also manufactures and exports a massive amount of military and cyber security technologies. A report published by Privacy International—an NGO that investigates government surveillance and companies—in 2016—stated that Israel has about 27 surveillance companies which is the highest per capita in terms of surveillance that any country has in the world.

The Guardian collected testimonies from people who worked in the Israeli Intelligence Corps to understand the big brother surveillance of the Palestinians. One of the testimonies revealed that commoners and even completely innocent people were under the radar of surveillance. The attestor stated “As a soldier in Unit 8200, I collected information on people accused of either attacking Israelis, trying to attack Israelis, desiring to harm Israelis, and considering attacking Israelis. I also collected information on people who were completely innocent, and whose only crime was that they interested the Israeli security system for various reasons. For reasons they had absolutely no way of knowing. All Palestinians are exposed to non-stop monitoring without any legal protection. Junior soldiers can decide when someone is a target for the collection of information. There is no procedure in place to determine whether the violation of the individual’s rights is necessarily justifiable. The notion of rights for Palestinians does not exist at all. Not even as an idea to be disregarded.”

Another testimonial exposed that the data collected was hardly in accordance with the security needs. The testimony stated, “Throughout my service, I discovered that many Israeli initiatives within the Palestinian arena are directed at things that are not related to intelligence. I worked a lot on gathering information on political issues. Some could be seen as related to objectives that serve security needs, such as the suppression of Hamas institutions, while others could not. Some were political objectives that did not even fall within the Israeli consensus, such as strengthening Israel’s stance at the expense of the Palestinian position. Such objectives do not serve the security system but rather agendas of certain politicians. One project in particular, was shocking to many of us as we were exposed to it. The information was almost directly transferred to political players and not to other sections of the security system. This made it clear to me that we were dealing with information that was hardly connected to security needs. We knew the detailed medical conditions of some of our targets, and our goals developed around them. I’m not sure what was done with this information. I felt bad knowing each of their precise problems, and that we would talk and laugh about this information freely. Or, for instance, that we knew exactly who was cheating on their wife, with whom, and how often.”

While hidden and unknown surveillance is prominent, Israel has also imposed explicit panopticon surveillance and restrictions on Palestinians in numerous cases. In the village of Beit Ijza, northwest of Jerusalem, the house of Gharib’s family has been enclosed by a 6-meter-high fence, cutting them off from their olive gardens and rest of the village as Israel claimed ownership of the land surrounding the Gharib family's house and created a West Bank settlement over there. The house was built in 1979 on land the family says has belonged to them from as far back as the Ottoman era. “Ever since Israel occupied the West Bank, Jews have been offering my father to sell the house,” Gharib says. “They even brought him a suitcase of money. He refused.” Now, their every move is filmed as cameras have been set up on the bars of the fence. Along with loss of privacy, the panopticon internalized omniscience prevents the Gharib family from taking radical steps to protect their rights. In Israeli military language this is called an “indicative fence” which is also equipped with sensors.  When the fence was built, the family had to negotiate by phone with the police at the nearby Atarot industrial zone every time they wanted to go out and or they had to get the Red Cross to help out. “Sometimes we waited for several hours for them to come and open it” Gharib said.

Constant surveillance in real life as well as digital space is definitely a critical human rights violation. While the case of Palestinians is unique given the Israeli military occupation, the fight for their rights is global. World leaders, governments, civil societies, social media giants and all internet users have an essential role in the battle for a surveillance and censorship free state.

Read More