Sunday, July 19, 2020

Has Hollywood finally decided to fight “Reel Life Racism”

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Syed Ahmed Uzair

Article Title

Has Hollywood finally decided to fight “Reel Life Racism”

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Global Views 360

Publication Date

July 19, 2020

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Al Jolson in Warner Bros. publicity photo for the film The Jazz Singer (1927)

Al Jolson in Warner Bros. publicity photo for the film The Jazz Singer (1927) | Source: Wikimedia

Back in the 1960s, when the Civil Rights Movement was slowly gaining momentum in the United States, broadcasting services were employed to gather support for the movement. Images of various kinds of atrocities and violence being rendered to nonviolent Black demonstrators were broadcasted into American houses to raise awareness about the movement.

However, the response of Hollywood so far can be explained in a single word- tragic! Hollywood as a major media and content producer has massively shaped the American culture. However it has not much to show as a positive influence on race issues.

A classic 1940’s musical movie, Holiday Inn had the famous song in which White stars performed in blackface. In a 1980s hit, “Indiana Jones and the Temple of Doom” the Indians are depicted as barbaric and uncivilised. The list of such racial stereotypes is huge to be reproduced here.

Legendary Hollywood actor John Wayne made highly offensive comments in a playboy interview. His exact words are, “I believe in white supremacy until the Blacks are educated to a point of responsibility. I don't believe in giving authority and positions of leadership and judgment to irresponsible people.” He further goes on to make a series of comments, that ideally should not be coming from someone with so much influence in Hollywood.

Many legendary actors and industry icons too have struggled due to racism in Hollywood. Bruce Lee is a fine example of a person who fought against racism in the industry and refused to be cast in many roles that portrayed Chinese people in a negative light. He ultimately moved back to Hong Kong, partly due to the lack of appropriate roles. Actress Lucy Liu has also spoken about how she was too naïve to understand back in the early days as to why her friend would get multiple auditions every day, while she managed two or three in a month.

In 2015, there was a massive uproar regarding the Oscar winners after the academy awarded all 20 nominations to white actors. It quickly gained momentum with the hashtag #OscarsSoWhite becoming a global trend. Before #OscarsSoWhite, no one would have bothered to notice that 86% of top films predominantly featured white actors.

As per a Washington Post survey, film directors who ranked as the most influential decision-makers at Hollywood were predominantly whites. Hollywood might stress for newer reforms against racism on the big screen but that is not the reality at all. To put things into perspective, the Hollywood academy has never revealed information about the diversity of its members involved in the branches of the academy, such as writers, directors, etc.

The response of Hollywood movers and shakers was always akin to a tokenism, a call to push for producing more content involving black writers, producers, and actors.

George Floyd’s death was just the trigger it needed to burst out in the open the pent up anger over the centuries of discrimination, oppression, and systematic injustice meted out to black people. The way black people are portrayed in reel life directly impacts society’s attitude towards them in real life.

People started demanding that Hollywood production companies and studios should involve the people from the community in the decision-making process when the movie plot is based considerably on the members of those communities. They have also demanded that older movies depicting racially insensitive narratives should be taken out of circulation.

Disney, one of the most reputed names in Hollywood, chose to remove the movie “Song of the South” from US distribution, when the criticism for the movie grew, even though it remains available for those who know where to look. They have also announced the plan to revamp the famous Splash Mountain ride at Disneyland and Disney World to include the character of Princess Tiana- Disney’s first African American princess from the movie The Princess and the Frog.

UK TV broadcaster Sky has added a disclaimer to approximately a dozen films stating, “This film has outdated attitudes, language and cultural depictions which may cause offence today."

HBO max recently pulled the iconic film, Gone with the wind because of its controversial depiction of black stereotypes. It returned with a four and a half minute introductory video by black scholar Jaqueline Stewart for a better understanding about racism.

Ever since the resurfacing of the playboy interview of John Wayne, students and alumni at USC have been protesting against Wayne’s exhibit at the campus. However, USC has finally decided to remove the exhibit.

All these reforms are a direct result of the audience being more and more aware of racism and prejudice. However, it is Hollywood’s turn to step up and push for bigger reforms. While it would be a challenging and bold endeavor, Hollywood’s global influence makes it imperative for the industry to undergo much-needed reforms.

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February 4, 2021 5:16 PM

Bhagat Singh: The Man, The Life, And The Beliefs

Bhagat Singh is one of the ‘big names’ immortalised in the history of India’s freedom struggle and eternally cherished even after almost ninety years of his martyrdom. What makes him stand out is his popularity among the masses being almost on par with the likes of Mahatma Gandhi and Jawaharlal Nehru, despite his beliefs and actions being diametrically opposite to theirs.

Of the freedom fighters who remain mainstream in today’s India— a crowd predominantly made up of politicians with center or right of centre leanings, Bhagat Singh occupies a relatively lonely spot as a young, staunchly left-wing revolutionary who outrightly rejected Gandhi’s philosophy, and preferred direct action over politics.

Newspaper headline after Central Legislative Assembly non-lethal bombing

Bhagat Singh is most commonly and widely remembered in association with an incident where he, along with his friend and comrade B.K. Dutt dropped non-lethal smoke bombs into the Central Legislative Assembly from its balcony in 1929. They also scattered leaflets by the Hindustan Socialist Republican Association (HSRA), which he was a major part of and was aided by in orchestrating the bombings. He is said to have been inspired by French anarchist Auguste Vaillant, who had bombed the Chamber of Deputies in Paris in 1893.

The bombing gathered widespread negative reaction due to the use of violence, especially from those who supported the Gandhian method. While Bhagat Singh and the HSRA wanted to protest exploitative legislatures such as the Public Safety Act and the Trades Disputes Bill, it is also widely accepted that they additionally intended to use the drama and public attention of the ensuing trial to garner attention to socialist and communist causes. Bhagat Singh and Dutt did not escape under the cover of panic and smoke despite the former carrying a pistol, and waited for the police to find and arrest them. During the trial Bhagat Singh frequently chanted a variety of slogans, such as ‘Inquilab Zindabad,’ which is even today often raised in protests across India.  

March 25th Newspaper carrying the news about execution of Bhagat Singh | Source: Tribune India

However, this was not the trial that ended in Bhagat Singh receiving his execution sentence. Before the Assembly bombings, Bhagat Singh had been involved in the shooting of police officer John Saunders, in connection to the death of freedom fighter Lala Lajpat Rai. At that time he and his associates had escaped, but after Bhagat Singh was awarded a life sentence for the Assembly bombing, a series of investigations led to his rearrest as part of the Saunders murder case. It was this trial— generally regarded as unjust— that led to his much protested execution sentence.

Bhagat Singh was hanged to death on the eve of March 23rd, 1931 and he was just twenty-three years old.

Despite the criticism he received for his actions, his execution sentence was widely opposed and many attempts were made to challenge it. In fact, his execution came on the eve of the Congress party’s annual convention, as protests against it worsened. He was memorialised nationwide as a martyr, and is often addressed with the honorific Shaheed-e-Azam Bhagat Singh.

Apart from being a socialist, Bhagat Singh was attracted to communist and anarchist causes as well. In ‘To Young Political Workers,’ his last testament before his death, he called for a “socialist order” and a reconstruction of society on a “new, i.e, Marxist basis.” He considered the government “a weapon in the hand of the ruling class”, which is reflected in his belief that Gandhian philosophy only meant the “replacement of one set of exploiters for another.” Additionally, he wrote a series of articles on anarchism, wanting to fight against mainstream miscontrusions of the word and explain his interest in anarchist ideology.

Bipin Chandra, who wrote the introduction to Why I am an Atheist by Bhagat Singh | Source: Wikimedia

While writing the introduction to Bhagat Singh’s remarkable essay Why I am an Atheist in 1979, Late Bipan Chandra described the Marxist leaning of Bhagat Singh and his associates in the following way;

Bhagat Singh was not only one of India’s greatest freedom fighters and revolutionary socialists, but also one of its early Marxist thinkers and ideologues. Unfortunately, this last aspect is relatively unknown with the result that all sorts of reactionaries, obscurantists and communalists have been wrongly and dishonestly trying to utilise for their own politics and ideologies the name and fame of Bhagat Singh and his comrades such as Chandra Shekhar Azad.”

Bhagat Singh is often admired and celebrated for his dedication to the cause of liberation. However his socialist, communist and anarchist beliefs were suppressed by the successive governments in Independent India. This in a way is the suppression of a revolutionary who has the potential to inspire, unite and motivate the growing population of a spectrum of activists all over India, in direct response to the fast-spreading divisiveness and intolerance in the country, often patronised by the groups and organizations professing the right-wing fascist ideology.

Bhagat Singh’s dreams of a new social order live on, not just in his writings, but also reflected in the hearts of every activist, protester, and dissenting citizen. The fight for freedom, revolution, Inquilab, may have changed in meaning, but it is far from over.

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