Wednesday, August 5, 2020

Forced Uyghur labour in China: Getting the World attention now

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Syed Ahmed Uzair

Article Title

Forced Uyghur labour in China: Getting the World attention now

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Global Views 360

Publication Date

August 5, 2020

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Mihrigul Tursun, former detainee at Uyghur mass internment camps in China, testifying in Washington

Mihrigul Tursun, former detainee at Uyghur mass internment camps in China, testifying in Washington | Source:    D.A. Peterson via Wikimedia

Since 2017 nearly a million ethnic minorities, mostly Uyghur Muslims from the far Western region of the Xinjiang province of China, have been put in  detention centres. The detainees in these camps are forced to renounce their faith and, in some instances, have been subjected to torture.

The Chinese government has termed the program as a combat against “religious extremism” even as it detains members of ethnic minorities from the region and sends them to the so-called “re-education camps”. The experts however believe that these people have been thrust into a systematic program of cultural genocide.

This campaign now appears to be proceeding towards a new direction wherein the Uyghur detainees are being shipped across the country for forced labour in factories.

As per the government officials, these “trainees” have all “graduated” and are being given employment in the form of factory labour to lead a better life. While China has made this their sole criteria to defend the program, there is mounting evidence that suggests that the Uyghurs are being subjected to forced labour and are not allowed to visit their families in Xinjiang.

According to a report by the Australian Strategic Policy Institute, the Uyghurs have been moved under a labour scheme known as Xinjiang aid to factories across the country straight from the detention centers. Many of these factories are a part of the supply chain network for well-renowned brands such as Apple, Nike, and Dell.

At the factories the workers are forced to live in separate rooms and are required to take Mandarin lessons under heavy surveillance. They are not allowed to leave their jobs and go back to their families in Xinjiang either.

John Oliver, host of popular US TV show “Last Week Tonight” recently aired an episode wherein he talked about the Uyghurs. “If this is the first time that you’re hearing about an estimated million people who’ve been held in detention camps – mostly Uighurs but also Kazakhs and other ethnic minorities – you are not alone. And it’s probably because China has done its level best to keep this story from getting out,” says Oliver.

John Oliver further said, “While there is clearly nothing new about horrific practices being hidden deep within the supply chain of global capitalism, what is happening to the Uighurs is particularly appalling”.

Despite China’s attempts at keeping the entire crackdown private, more and more horrifying details have come out in the open about the atrocities meted out to the Uyghurs via testimonies from former detainees.

This has led to an increased pressure on China as well as the big brands utilizing the Chinese supply chain network, to cut ties with factories where human rights are being violated under this Uyghur crackdown.

The US has restricted 11 Chinese companies from buying American goods due to claims of them being linked to the Xinjiang region. A coalition of over 180 organizations also called out dozens of clothing brands and retailers for links to the Xinjiang crackdown and forced Uyghur labour.

While some companies like PVH, the owner of brands like Calvin Klein and Tommy Hilfiger are working on reducing their presence in the Xinjiang region’s supply chain network others like Big W, a discount department store chain operated by Australia's Woolworths group acknowledged that some of their products might be unintentionally coming from the regions of Xinjiang province.

Companies like Nike, Puma, and Adidas have however continued to deny allegations of links to factories with forced Uyghur labour completely. In their statement Nike said, "We have confirmed with our contract suppliers that they are not using textiles or spun yarn from the region."

With the increasing spotlight on the Chinese government’s repressive activities,  international pressure is increasing on the business groups which depend on China for supply change, to come clean on any link of their vendors with Uyghur forced labour. There might be some hope, even if very little, for the plight of the Chinese Uyghurs after all.

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February 4, 2021 5:05 PM

Art as a tool of Palestinian Resistance

The Israel-Palestine conflict is one that has been fraught with violence and displacement, more so for the Palestinians. This is a complicated history of war and disagreement over the possible solutions. However in recent years, the actions of Israel’s right-wing coalition government under Prime Minister Benjamin Netanyahu are making the path to peace even more difficult.

Many artists, especially those of Palestinian origin, across the creative mediums, have turned to art as a medium of expression against the Israeli government’s repressive policies and to show the suffering of the Palestinian people.

Graffiti of  Marouane Barghouti, imprisoned Palestinian activist | Source: thierry ehrmann via Flickr

The heroes of Palestinian resistance against the Israeli occupation are a popular subject of resistance art by Palestinian artists. It is mainly expressed in the form of murals, graffities, and posters.

Another important theme in Palestinian art surrounds the Nakba, which refers to the exodus of a large number of Palestinians after the formation of the state of Israel.

Palestinian refugees leaving the Galilee in October–November 1948 | Source:  Fred Csasznik via Wikimedia

A popular street artist Banksy has left his unique mark in support of Palestinian resistance, and not just in the form of street art which lines the Israeli West Bank barrier and other areas of the West Bank.

Street Art by Banksy | Source: Dan Meyers via Unsplash

Banksy also opened the Walled Off Hotel in 2014 where all the rooms overlook the barrier or apartheid wall, as it is known in Palestine, and each contains various artworks depicting life under occupation.

The most recent contribution from Banksy in this regard has been a small art piece that was displayed inside the hotel last Christmas, called ‘The Scar of Bethlehem.’ It depicts a nativity scene (the birth of Jesus) set to the backdrop of the concrete barrier, with a bullet hole in it resembling a star and has garnered praise from many western news outlets as a symbol of solidarity with Palestinian suffering.

Posters, and innovative methods of distributing the same, are another form of artistic protest. These range from the posters by various artists published in a leftist French newspaper, meant to be cut out and pasted on walls by the public; to the Turkish graphic design professors using public walkways to exhibit posters in solidarity with Gaza.

A card marking the tenth anniversary of the launching of the Palestinian revolution in 1965 | Source: Nawal Abboud via The Palestinian Poster Archives

Posters have also sprung up in various places across the world, including Israel, calling for active demonstrations against Israel’s plans to annex the West Bank. All of the mentioned posters continue to be collected in the digital archives of the Palestine Poster Project.

Another popular collection dates back to 1970s Australia, circulated by Ali Kazak, a Palestinian ambassador, called “landscape posters” for their focus on Palestinian land. Many posters utilised symbols such as traditional Palestinian dresses, fruits such as olives and oranges, and keys, which refer to the refugees.

Some of the older art from around the 1970s focused on pre-war Palestinian life and culture, while the newer art takes a multi-media form through photographs, science fiction and films. Similarly, many murals can be found surrounding Land Day, which serves as a reminder of a massacre in 1976 in response to a protest.

Artistic symbolism also often uses the concept of Sumud, which means resilience in Arabic, and is used to refer to a “sense of rootedness” to Palestinian land.

Music also found its voice as a form of self-expression and resistance. In 2018, music platform Boiler Room hosted Boiler Room Palestine for the first time. The show featured a diversity of Palestinian artists from Palestinian and Israeli territories. The crew for the show had to enter Palestine through Israel, giving them a small taste of the limitation of movement for Palestinians.

Palestinian art continues to grow as a form of self-expression, as a form of resistance to Israeli policies, and as forms of cultural history in an endeavour to keep Palestinian spirits and identity alive as their lives get shrunk into smaller and smaller pieces of land.

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