Thursday, August 6, 2020

Art as a tool of Palestinian Resistance

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Vanshita Banuana

Article Title

Art as a tool of Palestinian Resistance

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Global Views 360

Publication Date

August 6, 2020

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Graffiti of former PFLP militant, Leila Khaled

Graffiti of former PFLP militant, Leila Khaled | Source: Edgardo W. Olivera via Flickr

The Israel-Palestine conflict is one that has been fraught with violence and displacement, more so for the Palestinians. This is a complicated history of war and disagreement over the possible solutions. However in recent years, the actions of Israel’s right-wing coalition government under Prime Minister Benjamin Netanyahu are making the path to peace even more difficult.

Many artists, especially those of Palestinian origin, across the creative mediums, have turned to art as a medium of expression against the Israeli government’s repressive policies and to show the suffering of the Palestinian people.

Graffiti of  Marouane Barghouti, imprisoned Palestinian activist | Source: thierry ehrmann via Flickr

The heroes of Palestinian resistance against the Israeli occupation are a popular subject of resistance art by Palestinian artists. It is mainly expressed in the form of murals, graffities, and posters.

Another important theme in Palestinian art surrounds the Nakba, which refers to the exodus of a large number of Palestinians after the formation of the state of Israel.

Palestinian refugees leaving the Galilee in October–November 1948 | Source:  Fred Csasznik via Wikimedia

A popular street artist Banksy has left his unique mark in support of Palestinian resistance, and not just in the form of street art which lines the Israeli West Bank barrier and other areas of the West Bank.

Street Art by Banksy | Source: Dan Meyers via Unsplash

Banksy also opened the Walled Off Hotel in 2014 where all the rooms overlook the barrier or apartheid wall, as it is known in Palestine, and each contains various artworks depicting life under occupation.

The most recent contribution from Banksy in this regard has been a small art piece that was displayed inside the hotel last Christmas, called ‘The Scar of Bethlehem.’ It depicts a nativity scene (the birth of Jesus) set to the backdrop of the concrete barrier, with a bullet hole in it resembling a star and has garnered praise from many western news outlets as a symbol of solidarity with Palestinian suffering.

Posters, and innovative methods of distributing the same, are another form of artistic protest. These range from the posters by various artists published in a leftist French newspaper, meant to be cut out and pasted on walls by the public; to the Turkish graphic design professors using public walkways to exhibit posters in solidarity with Gaza.

A card marking the tenth anniversary of the launching of the Palestinian revolution in 1965 | Source: Nawal Abboud via The Palestinian Poster Archives

Posters have also sprung up in various places across the world, including Israel, calling for active demonstrations against Israel’s plans to annex the West Bank. All of the mentioned posters continue to be collected in the digital archives of the Palestine Poster Project.

Another popular collection dates back to 1970s Australia, circulated by Ali Kazak, a Palestinian ambassador, called “landscape posters” for their focus on Palestinian land. Many posters utilised symbols such as traditional Palestinian dresses, fruits such as olives and oranges, and keys, which refer to the refugees.

Some of the older art from around the 1970s focused on pre-war Palestinian life and culture, while the newer art takes a multi-media form through photographs, science fiction and films. Similarly, many murals can be found surrounding Land Day, which serves as a reminder of a massacre in 1976 in response to a protest.

Artistic symbolism also often uses the concept of Sumud, which means resilience in Arabic, and is used to refer to a “sense of rootedness” to Palestinian land.

Music also found its voice as a form of self-expression and resistance. In 2018, music platform Boiler Room hosted Boiler Room Palestine for the first time. The show featured a diversity of Palestinian artists from Palestinian and Israeli territories. The crew for the show had to enter Palestine through Israel, giving them a small taste of the limitation of movement for Palestinians.

Palestinian art continues to grow as a form of self-expression, as a form of resistance to Israeli policies, and as forms of cultural history in an endeavour to keep Palestinian spirits and identity alive as their lives get shrunk into smaller and smaller pieces of land.

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February 4, 2021 5:00 PM

Stonewall Riots: A Pillar In The Movement For American LGBTQIA+ Rights

The Stonewall Riots are globally remembered as the cornerstone of Pride Month, and rightfully so. Fifty-one years ago, a routine police raid on Stonewall Inn, a gay bar in New York turned into an upheaval against homophobic society, laws, and policing.

In the early hours of June 28, 1969, a police raid— often conducted on secret or private bars that exclusively served LGBTQIA+ patrons— turned its head on the New York Police Department.

The Stonewall riot in 1969 | Source: David via Flickr

Some accounts say that the pivotal moment came when few of the lesbians who were brutally shoved into a police wagon showed resistance. In response, the crowd lit up in anger and resistance. Instead of running away to save themselves, the patrons fought back, even leading to the police barricading themselves within the bar itself as they waited for backup.

The Stonewall riot in 1969 | Source: David via Flickr

News of the clash spread and more people gathered, throwing anything they could find: nickels, garbage cans, broken bottles, and yes, bricks too, though ‘the first brick’ may have been more myth than real. Eventually, it took the fire department and a riot squad to quell the riots on the first night.

Defiant, Stonewall reopened the next evening, and the confrontation between police and community members continued for the rest of the week, drawing hundreds and upto thousands of community members. A total of twenty one protestors were arrested over the week, with the majority being arrested on the first night itself.

It’s hard to pinpoint what exactly led to the Stonewall riots, or the status that it earned in present-day Pride and LGTBQ+ liberation movements. The movement for LGTBQ+ rights existed before Stonewall (if relatively subdued relative to what came after), and so did the concept of ‘Pride,’ in the form of ‘Personal Rights in Defense and Education’ (PRIDE) that went on to become the Advocate magazine.

Stonewall wasn’t even the first time the community clashed with the police. It has been postulated that the act of naming, “the first to be called the first,” and the decision of organizers to commemorate its anniversary in the form of ‘Christopher Street Liberation Day’ contributed largely to Stonewall becoming a permanent and popular fixture in LGBTQIA+ history and collective memory.  

Regardless of the contributing factors, the cultural impact of Stonewall on American and Western LGBTQIA+ communities was immediate and intense. It became the epicentre of a louder, more radical movement. The community had tried it the ‘respectable’ way through organisations such as Mattachine, but it didn’t get them anywhere.

The number of LGTBQ+ focused organisations and magazines soared after Stonewall, going from around two dozen to four hundred. These included radical organisations such as the Gay Liberation Front and Radicalesbians.

The year after Stonewall, Sylvia Rivera and Marsha P. Johnson, who were present at the riots and are considered transgender icons, created the Street Transvestite Action Revolutionaries (STAR), which focused on struggles of drag queens and trans and gender-non-conforming youth who often lived on the streets.

Stonewall Inn as it existed no longer stands, but the new Stonewall Inn in the same street and the park across it have been recently declared as a historic national monument.

The old Stonewall was not a luxurious bar in terms of drinks or furnishings. It was not a place frequented by upper or middle class, white, cisgender gay men. Being a dance bar whose patrons included working class or homeless LGBTQIA+ people and drag queens, it was often looked down upon. All of that changed in one week, and the spirit that shone in Stonewall that night continues to resonate and be celebrated in the hearts of all LGBTQIA+ people.

In light of the ongoing Black Lives Matter protests and the rioting that happened alongside, many LGBTQIA+ people on social media have responded to criticism by reminding people of Stonewall, and how the “first Pride” was a riot led by Black and Latin transgender women, gender non-conforming youth, and other LGBTQIA+ people of colour, the very people whose history and resistance has often been white-washed, diminished, or erased altogether.

As said by Martin Luther King Jr., “A riot is the language of the unheard.”

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