Thursday, August 6, 2020

Art as a tool of Palestinian Resistance

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Vanshita Banuana

Article Title

Art as a tool of Palestinian Resistance

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Global Views 360

Publication Date

August 6, 2020

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Graffiti of former PFLP militant, Leila Khaled

Graffiti of former PFLP militant, Leila Khaled | Source: Edgardo W. Olivera via Flickr

The Israel-Palestine conflict is one that has been fraught with violence and displacement, more so for the Palestinians. This is a complicated history of war and disagreement over the possible solutions. However in recent years, the actions of Israel’s right-wing coalition government under Prime Minister Benjamin Netanyahu are making the path to peace even more difficult.

Many artists, especially those of Palestinian origin, across the creative mediums, have turned to art as a medium of expression against the Israeli government’s repressive policies and to show the suffering of the Palestinian people.

Graffiti of  Marouane Barghouti, imprisoned Palestinian activist | Source: thierry ehrmann via Flickr

The heroes of Palestinian resistance against the Israeli occupation are a popular subject of resistance art by Palestinian artists. It is mainly expressed in the form of murals, graffities, and posters.

Another important theme in Palestinian art surrounds the Nakba, which refers to the exodus of a large number of Palestinians after the formation of the state of Israel.

Palestinian refugees leaving the Galilee in October–November 1948 | Source:  Fred Csasznik via Wikimedia

A popular street artist Banksy has left his unique mark in support of Palestinian resistance, and not just in the form of street art which lines the Israeli West Bank barrier and other areas of the West Bank.

Street Art by Banksy | Source: Dan Meyers via Unsplash

Banksy also opened the Walled Off Hotel in 2014 where all the rooms overlook the barrier or apartheid wall, as it is known in Palestine, and each contains various artworks depicting life under occupation.

The most recent contribution from Banksy in this regard has been a small art piece that was displayed inside the hotel last Christmas, called ‘The Scar of Bethlehem.’ It depicts a nativity scene (the birth of Jesus) set to the backdrop of the concrete barrier, with a bullet hole in it resembling a star and has garnered praise from many western news outlets as a symbol of solidarity with Palestinian suffering.

Posters, and innovative methods of distributing the same, are another form of artistic protest. These range from the posters by various artists published in a leftist French newspaper, meant to be cut out and pasted on walls by the public; to the Turkish graphic design professors using public walkways to exhibit posters in solidarity with Gaza.

A card marking the tenth anniversary of the launching of the Palestinian revolution in 1965 | Source: Nawal Abboud via The Palestinian Poster Archives

Posters have also sprung up in various places across the world, including Israel, calling for active demonstrations against Israel’s plans to annex the West Bank. All of the mentioned posters continue to be collected in the digital archives of the Palestine Poster Project.

Another popular collection dates back to 1970s Australia, circulated by Ali Kazak, a Palestinian ambassador, called “landscape posters” for their focus on Palestinian land. Many posters utilised symbols such as traditional Palestinian dresses, fruits such as olives and oranges, and keys, which refer to the refugees.

Some of the older art from around the 1970s focused on pre-war Palestinian life and culture, while the newer art takes a multi-media form through photographs, science fiction and films. Similarly, many murals can be found surrounding Land Day, which serves as a reminder of a massacre in 1976 in response to a protest.

Artistic symbolism also often uses the concept of Sumud, which means resilience in Arabic, and is used to refer to a “sense of rootedness” to Palestinian land.

Music also found its voice as a form of self-expression and resistance. In 2018, music platform Boiler Room hosted Boiler Room Palestine for the first time. The show featured a diversity of Palestinian artists from Palestinian and Israeli territories. The crew for the show had to enter Palestine through Israel, giving them a small taste of the limitation of movement for Palestinians.

Palestinian art continues to grow as a form of self-expression, as a form of resistance to Israeli policies, and as forms of cultural history in an endeavour to keep Palestinian spirits and identity alive as their lives get shrunk into smaller and smaller pieces of land.

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February 4, 2021 5:02 PM

Yemen's Multilayered War: The Houthi Rebellion

This is the 3rd part of a short explainer article series on the current crisis in Yemen.

To read the 1st part of the series click on the link.

To read the 2nd part of the series click on the link.

After the overthrow of the monarchy in 1968,  Yemen existed as two countries — North Yemen and South Yemen.  These two countries united in 1990, after several years of conflict with one another.

This unity could not remain for long and the North-South divide resurfaced which led to the first civil war of unified Yemen. This civil war was short-lived and ended in 1994 after the decisive victory of the pro-unification governing faction over the Southern saperatist faction.

On the other hand a major dissatisfaction with the central government was simmering in the region dominated by a local branch of Shia Muslims known as Zaidi. They are the decendent of Prophet Muhamma and believe that Muslims should be ruled only by a descendant of Prophet Muhammad whom they call an Imam. They have ruled Yemen for more than 1,000 years which ended in 1962.

Zaidis are a minority sect in Yemen but have much ideological affinity with the Sunni Shafi'i majority. They lived together harmoniously and prayed in the same mosques for hundreds of years.

A new element was also getting added to the dangerous mix of sub-nationalism, intra religious division, and tribal loyalty in Yemen. The Yemeni veterans of Soviet-Afghan war who fought with the mujahideen were battle hardened and well versed in guerilla warfare. They started a low level insurgency and also tried to impose a hardline interpretation of Islamic religious and social practices in Yemen.

In order to counter the socio-economic and political marginalization by the central government as well as the growing influence of Salafism in their northern heartland, the Houthis formed a movement named Ansar Allah. President Saleh however accused them of attempting to overthrow the government and of seeking to revive the rule of the imamate in Yemen.

The Houthi Rebellion (also known as the Shia Insurgency):

The Houthi Movement in its current militant form began in 2004 by Hussein Badreddin al-Houthi, religious, political and military leader, as well as former member of the Yemeni parliament between 1993 and 1997. Though he was killed in the action of very early in his fight with the government forces, his brother who took over the movement leadership made it politically and militarily a formidable force in Yemen.

Zaidis have had historical grievances against the Wahhabi, the dominant Sunni sect in Saudi Arabia, who assisted North Yemen in the First Yemen Civil War. The Zaidi fear they still have too much say in Yemeni politics. They have also fought against the Salafis, whom they accuse of implementing the hardline interpretation of Islamic religious and social practices in Yemen. In order to counter these forces, Houthis destroyed the schools run by them in Saada, Dar al Hadith in Dammaj and its sister school in Kitaf, claiming them to be “feeder schools”, for al-Qaeda.

It was the 2011 Yemeni Uprising (or Intifada), which catapulted Hauthis to the centre of Yemen politics. They sided with the common citizens of the country in demanding the resignation of President Saleh whom they charged with corruption and for being a lackey of Saudi Arabia and the USA. A Nesweek photo-essay reported that Houthis are fighting "for things that all Yemenis crave: government accountability, the end to corruption, regular utilities, fair fuel prices, job opportunities for ordinary Yemenis and the end of Western influence."

Later in 2011, President Saleh resigned, as per the Houthi terms, letting Abd Rabbuh Mansur al-Hadi step in as the President in exchange for immunity from prosecution. However the Houthis pressed on with their power grab which started resentment among other players.

In an ironic act, ex-President Saleh who was overthrown in an Houthi led public uprising, threw his weight behind Houthis in the power struggle. In 2015 he publicly announced his formal alliance with the Houthis, and hoped for ceasefires with the Arab Coalition.

In 2015, Hadi, the President of Yemen was placed under house arrest by the Houthis and forced to resign. He managed to flee to Aden, and rescinded his resignation. He fled to Saudi Arabia, and returned in September with the Arab Coalition at his support. Ever since, he has used Aden as his governing base.

At the same time, Saudi Arabia imposed severe restrictions on import, including air and sea blockades in Yemen, resulting in the shortages of food and medicine. Given the fact that Yemen is dependent on imports for food supply and medicine, it is no surprise that the blockades have led to a famine situation, compounded by an outbreak of cholera since 2016 caused by and worsened due to the air-strike bombed healthcare infrastructure.

After aligning with Houthis for many years, Saleh once again took an about turn in 2017 by publicly ending this alliance and stated his openness to talk with the Saudi-led coalition. Al Jazeera reported this was because the Saudi Prince had decided that Saleh, rather than Hadi, would help to win the war. However, the same year, Saleh was assassinated.

In September 2019, the Houthis claimed responsibility for drone attacks on Saudi Arabia's eastern oil fields of Abqaiq and Khurais, disrupting nearly half the kingdom's oil production.

In January 2020, the Houthi Special Criminal Court found Hadi guilty and sentenced him to death, for “high treason...and looting the country’s treasury”, over other things,

It is important to note that Saudi Arabia and the USA have also seen this war as a Sunni Saudi pitted against a Shi’ite Iran. This has been shown to be inaccurate - both nations likely intending it as an excuse for using extreme military might and sanctions that Saudi has engaged in with the backing of both, the Obama and Trump administration, to use Yemen for strategic purposes.

It is this war, between Saudi-backed Hadi at Aden and the Iran-led Houthis at Sana’a, that has prolonged for 5 years and displaced millions, prompting the UN to call it the worst man-made humanitarian disaster.


To read the 4th part of the series click on the link.

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